In The Morning Came Calling Our Names, the poet invites readers into a world where the boundaries between personal experience and universal truth blur, offering a reflective exploration of life, love, loss, and belonging. With each poem, the dawn breaks in a new way, shedding light on the complexity of the human spirit and the intricacies of our shared journey through existence.
The collection opens with the hopeful promise of "The morning came calling our names," yet it is a journey that winds through the shadows of struggle, identity, and faith. Poems such as "The holy chalice" and "Atonement" delve into the sacred and spiritual realms, while "Father’s day" and "To my son" reflect on generational ties and the weight of love and responsibility. The poet’s contemplation of love, in all its forms, is captured in pieces like "Love kills," "I am trying to know love," and "Love that is cleans," presenting a spectrum of emotions that oscillate between hope, loss, and redemption.
Through poems like "The country said" and "In my country," the collection turns its gaze outward, offering reflections on society, identity, and the personal costs of living within a complex and often fractured world. Yet, the poet's voice remains rooted in the quiet moments—"The still voice," "Longings," and "Silent hill"—which provide a deep sense of introspection and the search for peace amidst chaos.
The Morning Came Calling Our Names also explores themes of mortality, as seen in poems like "My death" and "Even though I die now," alongside a meditative look at hope and resilience in "Coins of the same side" and "Seeking peace." The poet’s connection to nature, identity, and home is poignantly expressed in pieces like "Portrait of my home," "When the storm came," and "Travelling to home," while the weight of societal and personal challenges echoes throughout "Sermon on the podium" and "You are your salvation." This collection is a deeply personal and poetic reflection on life’s multifaceted journey, offering readers a space to contemplate their own path through the joys and struggles of existence, love, and identity. Each poem in The Morning Came Calling Our Names is a step into the light of understanding, an invitation to embrace the complexities of the world with open eyes and a full heart.
Who is my father
A poet is the craze-man of the stars
A poet is the grand lunatic of hell
A poet is a mad-king, a lunatic, the mentally deranged locked
Behind the very cold, old wrought iron bars of life
(Umar Sidi)
And the lad grew up with strength
He demanded from his mother
To know who his father was
A question that has left him with
A sleepless night in the streets of life
A question about his father
The teacher has asked him to tell
Who his father was and a fellow student
They make jokes out of the question
Who is your father and not your mother
Because he believed that;
A woman alone can make a child
The lies his mother had told him
To hide away from her pains to love
Perhaps, the lad is now a man
And he wanted to know this man
The man everyone else said that
He looks like his father and nothing more.
Who is my father?
The lad demanded from his mother
Why am I being lied to all these years
Tell me who he is that they say I look like
And the woman as her usual way to tears
She baptised her garments with her tears
Wailing to the rivers that run dry years ago
Calling the love she killed at her tongue altar
He betrayed me and killed our love
He was a poet when I know him first
He was building a castle I was afraid of
To inhabit such a dream was my fears
I became jealous and envied him to death
Even when he was innocent of my accuses
He never minds the ways I rant at him
Not until the day he told me that he regretted
So I chose another way of killing him
I took you away from his home town
I made sure he never sees you again
But each time I look into your eyes,
I know that I am still with him before my eyes
You are not another except your father
I had murdered our love for my anger
I nailed it with chapters from the books of grief
Where the air breathes there are sorrows
Unfulfilled promises and many longing
"The Drumbeats of the Immortals Have Quietened" is a deeply reflective and philosophical poetry collection that explores the nature of our human existence, the passage of time, memory, and mortality. Its purpose is to delve into the ephemeral beauty and tragedy of life while juxtaposing it against the silence that follows once the grand moments (or “drumbeats”) of legendary or immortal beings fade away. It's a call to humanity to return at the feet of the Divine.
The mood of the collection is elegiac, introspective, and often melancholic. There’s a solemn reverence throughout, as well as a sense of awe and quiet resignation. The tone balances between grief and beauty, with moments of transcendence that evoke a dreamlike serenity. I am pretty sure that you would love it. I've seen some of your work which you publish online and I can tell that you and I share the same universal theme as poets. How the world and mankind has fallen.
Publisher: World Inkers Printing and Publishing
Editors:
Cover Artists:
Genres:
Save me from this dark world
of dreams that torment me,
I appear to be lost like a kite
unto the sky searching to befriend
something more alive than me,
Perhaps the birds!
The great Navy ship has sunken
to the depths of the ocean
Now all the tears of the sea
Must the lonely Farer cry
The fear I've been trying to outrun
Alas, it has caught up with me!
Somewhere, somehow
A traveler like me is hearing
My cries into the void
And he leaves as guide his footprints
on the sandy shores of the island
Tell him I am arriving!
Though with a heart full of strife
I am just a soul yearning for life
Serialized magazine from India edited by Monalisa Parida and Sudipta Mishra.

, He controls the activities of the entire world, including human beings as well as non-human beings. I remember a popular prayer that we learnt as school-going children: "Ahe Nilashaila, prabala matta barana, mo arata nalini banaku kala dalana".
Collection of short fiction by Carl Scharwath. Imaginative, devastating, and poignant.
This book is dedicated to God, my Mom and
Dad in heaven, and every editor who published
my writing, photography, and art.
This book would not be possible without
Grand View University and student editor Carly
McCoy. I have enjoyed working on this project
with them to bring my 7th book to light.
I have included a diversity of my writing and art
and continue to learn and grow.
Thank you dear readers for being with me.
Publisher: World Inkers Printing and Publishing
Editors:
Cover Artists:
Genres:
The road between the two lovers held anticipation and
unknown dangers. Erik and Rebecca were the silhouettes
on standby in a landscape of romance. Erik, with two young
daughters and a beautiful wife celebrated 14 years of marriage.
Although perfect in the beginning, it began to visibly change
like a snowy winter scene fearful of revealing what lies beneath.
Everything was exciting and held potentials as they
shared the same interests, joys and fears. Slowly an erosion
had occurred. Life overtook romance and a crevice between
them had opened wide and exposed repetitiveness and boredom.
They no longer held the same interests, and sadly Erik
looked forward more to his career and time away from home.
His job as a publisher proved an excellent way to have an
affair. His mistress worked in the same office and lived only a
mile up the road.
-from "Byway"
“Ebb Tide Reflections” by Carl Scharwath is an eclectic collection of art, short stories and poetry that convey the personal emotions of the author. It contains beautiful photographs, some of which are intertwined with Carl’s paintings. The stories have unexpected twists and are filled with the fragmented lives of the characters. Carl’s poems are a complex and creative combination of words that make the reader think about their meaning. In his own words, Carl states that “These words, penned from the depths of mt heart and soul, hold within them a piece of my being, a slice of my journey, and a glimpse into my world.”
There was once a time when [some mainstream] journalism contained straight facts and not a reporter’s, writer’s, anchor’s, or editor’s absurd (and often insulting) theories, opinions, ideas, and conjectures. I am not generalizing it all, as I feel that there are still credible news sources and factual journalism (what an oxymoron these days); they are just more difficult to locate. And as if to prove my point, thanks to the birth of the Digital Age, editing and corrupting the content of a news story to make it one’s own is, unfortunately, easier than ever. It almost seems as if there are more amateur filmmakers than genuine reporters.
Preface/Disclaimer
There was once a time when [some mainstream] journalism contained straight facts and not a reporter’s, writer’s, anchor’s, or editor’s absurd (and often insulting) theories, opinions, ideas, and conjectures. I am not generalizing it all, as I feel that there are still credible news sources and factual journalism (what an oxymoron these days); they are just more difficult to locate. And as if to prove my point, thanks to the birth of the Digital Age, editing and corrupting the content of a news story to make it one’s own is, unfortunately, easier than ever. It almost seems as if there are more amateur filmmakers than genuine reporters.
READ MOREThere are several journalistic flaws that need to be addressed. For one thing, the aforementioned staff seem to thrive on telling their story and ‘enlightening us’ with their truths instead of distributing and publishing facts like they should. Thanks to the 21st Century, blogs exist, as do private journals, which have existed much longer. If they are so interested in the theoretical and emotional side of the story, either of those two routes may be their best bet. Secondly, the hierarchy of importance concerning news stories, daunting of a task as it may be, is an insult in and of itself. When the world shifts towards a singular event, they are completely distracted by said event instead of what is occurring elsewhere. Thank goodness there are those who risk their necks to keep every story as prominent as the cover page and not on the sidelines collecting dust. Sometimes, there may be an exception to the rule. For example, a writer may go against the grain and climb monumental heights to publish the truth because they may be stuck working for a dangerously stubborn and/or corrupt editor. Other blunders include spreading propaganda, misinformation, and disinformation (major difference), as well as media censorship and figures of authority who pay the media to publish certain stories over others. It is because of reasons such as these that I cannot, in good conscience, support and respect this particular area of writing, save a few selected sources.
With bias acting as the chief deity over all who dare to publish the truth, unless we are direct witnesses to said events, who do we believe? How much should we believe? When did news become chisme? I haven’t the slightest idea. It is challenging to say, especially since we live in a society and a time period where hard research, substantial facts, and scientific data are, for whatever reason, not enough for people anymore. Thank goodness for fact checking websites, especially since the task of distinguishing fact from fiction seems to be up to us. There are certain subconscious diseases that some in this industry possess, and they are known as ‘agendas’. Agendas create mass confusion and hysteria. Agendas breed children of agendas. Agendas tend to spin their own individualized webs, which become tangled in the bittersweet end, eventually transforming into a nostalgic game of ‘Telephone’. While I am not an individual who believes that the entire encompassment of the media is a firm hoax, I believe it would be arrogant to declare the exact opposite as well. The subconscious motive to instill fear in both readers and viewers has almost become its own religious, adrenaline-filled experience, complete with suspenseful music. With the exception of hype-free forecasts, the same exact claim can be made for just about every major weather channel. The meteorological prophecy of rain showers the following day will translate to, “THE END IS NEAR! WE ARE ALL GOING TO DIE!” The problem that stirs is when people become accustomed to the ‘meteorologist who cried wolf’ scenario, when there is a legitimate forecast that proves imminent disaster, many citizens tend to shrug off the peril without so much as a care in the world. Oh, to suck on the refreshing popsicle of cruel, yet righteous irony…
That being said, this piece serves two purposes simultaneously, one being a satirical and realistic nod to journalistic writing at its most ‘refined’, and the other as a middle finger of frustration regarding it. Naturally, lampooning it made this endeavor more of a dark tragicomedy than anything else. Originally, I wanted to submit this ‘article’ to The Onion to see if it would be worthy of publication, but after pondering on it, I decided to expand on the idea and flesh it out as much as I could. I turned it into an exclusive, consisting of the article, an editor’s note, and a series of interviews with a select few people involved in the ‘event’. For those who need a reminder, while the opinions expressed in this piece are objective, remember that they are still merely opinions. I am no demigod. What I choose to express is not gospel, nor do I foresee it being so in the near future. On the other side of the same coin, I would be lying if I wrote that this will not offend anyone, even if the lack of offense is my objective. On the other hand, someone once said, “If you are not offending or upsetting anyone, you are not producing anything worth reading.” Even my father encourages controversy in one’s work. At this point, I could not agree more. After all, why not? I don’t mind subjecting my readers to a pinch of shuddering nerves every now and then. Besides, the universal motto in this day and age, both in and out of the news is, “Everyone is entitled to my opinion.”
September 5, 2025
COLLAPSEWhen The Shepherd is exiled from the city he ruled for mismanagement, he buries himself in the side of an icy mountain and awaits to fulfill his destiny. In the far corner of the Universe, The Wolf is plotting to overtake his beloved city and exploit it to avenge his grievance against the Creator. During the years of apathy and lack of resolve following the Shepherd’s exile, the townspeople forget their collective history and purpose. An old myth told by the elders claims that in the endtimes the Raven will fight the Dove for dominance and the city will divide into two camps for the final war. One side is destined for union with the Creator and the other side is damned eternally to despairing silence. The townsfolk do not know how the town will divide but recognize the time is near. In this tale of revelation and horror, we discover the true meaning of divine human will and how profound the longing for freedom truly is.
I chopped his head off. I chopped the stupid fucker’s head off.
He had been restless for days, sitting, standing. He couldn’t move. His legs must have been weak. He couldn’t resist making noise. He was getting loud. He sounded afraid. I chopped his head off. There, now it is finished.
I forgot to mention who I am. I am Grace, the Shepherd. When I laugh, the girls think I am foolish. But I am laughing at life. At absurdity. At all things. When I laugh, the trumpets go off. When I smile, a baby is born. I am Grace. Some people never understand.
Don’t we all feel misunderstood at some point in the game that is life? I recall a certain sentiment, “The meek shall inherit the earth.” A great man said this. His short, disheveled appearance made the words all the more unique, they say. People believed in him. They don’t anymore.
As opposed to his past volumes of work, Z.M. Wise includes two juxtaposing projects in one book. The first piece, Lotus Mandala, is a confessional poem that exposes, uncovers, and incinerates a monumental lie that has plagued the cranium and heart of the Narrator. It transcends all existential crises. Thankfully, he discovers something higher. The latter composition, The Basorexia Song, is a nonlinear epic poem that details a surreal odyssey betwixt two lovers. Their fate will only be revealed through your eyes and yours alone. The fact that these two pieces are polar opposites elates the Author so, as life itself can be a festival of mental delights, and not everything is within our control and grasp. Can one, in fact, battle the unknown, or give in to sweet surrender?
Love,
that court jester’s tumbling
head sailing ‘cross Orion’s
belted borders while the
Sisters Kristal and Crystal
cry Mother Mountain Superior
hymns on faded stages.
This storm has only begun.
It has begun in the colosseum of universal
brinks, tipping point, my
sweet neck kiss of subconscious
rage, moaning claw marks on
my courtship back, only half
a beast of burdened deprivation.
Can we forgive the past
for splitting ganglion heads
and shattering multiverses of my war?
You wanted my cold and calculated heart.
You wanted my Sumerian insignia.
Universal neurosis monger
reaching involuntary apotheosis,
enlightenment self-expansion.
Disenchantment, love’s banality.
Horizons broadening over her
Gaia shoulder, the lips of ambiguous truth.
Mi Corazon, tu dulzura es mi calavera.
READ MORE
-from Lotus Mandala
COLLAPSEHe calls his endeavour, the teacher of the streets. He invites his fellow men to act as he does. He has spread the message in remote districts of India, places where political interference is the least. According to me, his motto is, I go where political leaders fear to tread.
This is the story of Deep Narayan Nayak.
Introduction
In this unique journey called writing, there are several stations, stopping by which one can pick up a few grains of wisdom. As the journey progresses, the experiences of those stoppages conjoin to yield special insights. The trick for success in writing is to linger on those experiences even after you have departed the station.
Writing is a special vehicle for sharing one’s accumulated wisdom, bit by bit, or fictionally put together in a single story. I am sharing here a story that is inspired by the life and thoughts of a young man named Deep Narayan Nayak, whom I came to know a few months ago.
The core of his wisdom is to illuminate many hearts through his tireless striving. His is a story of how light can be kindled from a struggle with shadows. The shadow he had dealt with, in his childhood, empowered him to identify similar shadows in other human beings. Not only that, he also came across worse than shadows – complete darkness.
READ MOREI have been awestruck by the way he speaks about the villages he has worked for. He has infinite respect for all creatures. From the shadows of ignorance, when he draws them to light, he is not watching his steps. He goes headlong into what he thinks is necessary. Thankfully, he is blessed with the instinct for the right path.
He calls his endeavour, the teacher of the streets. He invites his fellow men to act as he does. He has spread the message in remote districts of India, places where political interference is the least. According to me, his motto is, I go where political leaders fear to tread.
Looking back at the type of government intervention designed to bring to light all the backward classes, I feel, for all these seventy-five years, they have done very little. Their minions are insincere. Even some of the local orders are directly opposite of what makes the poor enlightened.
Ignoring all hurdles and taking many risks, Nayak has made great strides in educating backward classes. I told him, poverty is a favourite subject of writers. He was not amused. He has seen so much poverty that what the fictionists have written appears far less dismal.
His enthusiasm for the Adivasi community, which is his focus now, prodded me to look at education from a philosophical perspective. I am not very comfortable telling tales of squalid situations, but I decided to delve on the mystic quality of his efforts. In this narrative, fictionally told by his eldest sister, I have omitted references to places, time, the pandemic and other circumstantial facts that probably enhanced his philanthropy. The guiding principle of this litany is educationist. The guiding light is the man I am calling Deepu.
Anuradha Bhattacharyya
Chandigarh
COLLAPSEWhen reading this book, it might be useful to note that the word, ‘Ontologistics,’ refers to a theory of social change in which disparity causes estrangement. What’s more, the conflict between objectification and self-affirmation, creates a feedback loop of increasing alienation, which in its turn causes more incompleteness or disharmony (conflict between man and nature, between man and man, and between the individual and the species). According to the Urban Dictionary, “Ontologistics depicts a recursive (self-referencing) path of social change.” And much like ‘hope,’ it seeks genuine resolution.

Gaia Perhaps we returned to you too late. Green and lovely mother. Unchanging mother, buried in the oceans of the past. Up to your neck in the slops and spoils of enlightenment. We’re no longer students of philosophy. Poetry. Mythology. We’re no longer the young poets who wrote all the best lines. Wanderers in the Minotaur’s labyrinth of blood and illusion.
The queen of sea and shadow
has grabbed us now, as if by the balls.
But still we’re guided by a star
of hope. And only hope
can scupper or save us.

Prof. Kelli Allen wrote:How we perceive the world affects how we behave. Our behavior is killing the planet. If we succeed in changing our behavior, it will be in great measure because of books like this one. I am grateful to Mark Murphy for writing this book.
So many moments call us to disappear into the wilderness of quiet, of turning too far inward, and missing the orchestra of natural movement pushing the swirl ever-forward. In Mark Murphy’s Ontologistics of A Time Traveller, we are asked to stay awake at the feet of what we deem Beloved until we decide to live forever like leaves do, changing again and again into wardrobes meant for the wind. The work in this collection begs the reader to wonder why “Some days we hardly notice music/in the Horse Chestnuts” and how our ignorance feeds a decay too swiftly overtaking capital B-beauty. Murphy does not ignore the landscapes of the quotidian, but he does not make the everyday seem holier than it should be against a backdrop of grief and the longing that leads us all, eventually, to silence. The poems here remind their readers that even though “Always, there are voices that come/from the trunks of trees/And their voices are always most troubled,” we have more than a duty to bear witness. We have a duty to claim and speak our acts of witness for those whose voices are extinguished, and those whose conversations stumble into memory as we sleep. These are poems of and from a poet who convinces us to say aloud, “Our turn to be forgotten, will come /all too soon.” Murphy is a poet demanding change in the largest possible setting—that of human imagination and capacity to heal wounds our own hands have made and cast. This collection, while grave and bursting with warning to be heeded, comes from a man in love with the sheer size and precious fragility of the spaces we occupy, the breath we carry.
In Mannequin of our times, Vandana Kumar imagines the insights culled from the banal and mundane aspects of living. However, this living takes place on the edge of a civilization falling into ruins following the pandemic. In some ways, Kumar's poetic vision leads the reader toward an understanding that not much is changing during this global historical upheaval. She writes poignant lines about the human condition such as
the history of grief
is too old
to have started this year
and too young
to end with it.
With these lines, we sense Kumar struggling to situate the contemporary into the universal. The universal may take precedence, but personal experience is the wordsmith's true fodder. These poems speak of the contemporary through the lens of particular observations that engage with our historical moment. The universal person is questioned, however. Mannequin of our times is an experience of living within a world on hinge, a world facing dubious battles of its own.
The cracks within
Why do you shy away?
Let me see you in the day
the glint of grey
peeping through your burgundy
the silver cloud line
in the midst of sunshine
why do you act demure?
Return that wanton laughter
why so tame this noon?
You heaved some nights
delirious under the sheets
just us
and a quarter moon
why are your papers?
No longer in disarray
why is the garden trimmed?
That broken pot was never meant to be fixed
and a part of your heart
like a country’s porous border
kept open for invasion.
This collection stayed with me for its poetry but as much for its dimensionality. These poems are not limited, they spread their wings out and about in terms of theme as well as voice.





![Book Cover: Hossenfoof, or: The Travesty That is [Modern Mainstream] Journalism by Z. M. Wise](https://i0.wp.com/worldinkers.com/wp-content/uploads/2026/07/hossenfoof-full-cover-scaled.jpg?fit=640%2C508&ssl=1)




